Wednesday 6 January 2010

Vertigo (1958)

There is something about this film, something in the atmosphere of it, which is quite unique. It isn’t quite dreamy and it certainly isn’t surreal, I’m guessing the best word is hypnotic. The film lasts about two hours but feels longer because it immerses the viewer within- it doesn’t interest or intrigue or engage me, it enraptures me. Everything contributes- the storyline with its twists and juxtapositions, the cinematography which somehow makes contemporary San Francisco look ethereal (and this isn’t the lustre added by the intervening years, I am sure), the performance of James Stewart with conflicting emotions of guilt and confusion and love and hope writ large across his brow, the direction which is confident, controlled and unhurried and finally- perhaps most importantly- Bernard Herrmann’s haunting score.



There is such a great deal of depth to ‘Vertigo’ that you really can find new things to consider with each watch. Here’s what I mean: watching this yesterday I was, for the first time, pondering the control that the male characters exercise over the female characters in their lives- Gavin Elster over Judy, ‘Scottie’ over Judy, ‘Scottie’ over ‘Midge’ and the unknown man from the bookseller’s story over Carlotta (his comment “they could do that back then” being ironic in that context). Juxtaposed with this are the supposed obsession with Carlotta which Madelaine portrays and the obsession with Madelaine which leads ‘Scottie’ to possess Judy. The film examines these relationships without drawing conclusions- these are left to the viewer- in each instance the man is rich and substantially older, the girl becomes a plaything or a means of passing the time, to be moulded and shaped in whatever image suits the man’s mood. What this says about patriarchal relationships for Hitchcock is unimportant, he posits the question for the viewer to consider without guiding those thoughts.

There are culture snobs who claim that cinema isn’t art. If Goya or Rembrandt created anything that betters Hitchcock’s ‘Vertigo’ then I’ll eat my hat. In fact I'll eat ten hats.